Project: Village Voices Sustainability & Identity in Rural Cyprus. The theme of our project was Sustainable development through cultural heritage and rural community activities. The cultural and natural heritage of Cyprus, community heritage and engagement, craft and rural development. The aim of this project for me was to look at how small local and traditional businesses had succeeded, not only providing goods for local consumption, but for tourists too. How they fitted within the four pillars model and how I could use this model in my own future business. The Participants, Pano Lefkara and the Programme The wonderful group of participants, leaders, hosts at the village restaurant in Kato Drys. The Participants As a group we all came from very different backgrounds. I am a Glass Artist the other participants came from planning, strategic policy, storytelling, sustainable/community development and visitor experience. This made for interesting conversation on a variety of topics. Pano Lefkara A mountain village a short distance from the coastal road between Paphos and Limassol, that makes it a pleasant day trip for tourists and Islanders alike. We arrived in the spring and Lefkara was bursting with almond blossom from the groves that surround the village alongside their […]

Infrastructure improvements are generally costly, but DTA has made significant inroads into connecting the villages to twenty-first century Bulgaria and the rest of the world by the installation of publicly available internet facilities in each of the community centres. Residents, with suitable training, are thus able to read news, contact relatives, order goods and otherwise develop and maintain contacts with other parts of Bulgaria and the wider world. DTA has also initiated language classes, a project which has many potential benefits in the wider tourism strategy for the area.

At the cultural centre, we chat with the ladies, who welcome us with evident pride, about the people and stories of Gorsko Slivovo. The gallery space provides powerful juxtaposition: on one wall, dark eyes stare, four mothers dressed in black, four sons sacrificed, partisan scenes of resistance and death. A shrine remembers oppressions past, Soviet, Ottoman, Roman; on the other wall, paintings of traditional dress, costumes of colour and hope, the shepherds practical garb, lively animals and fertile fields. The promise of bounty and celebration of a community, who knew it is only the land, which has always been there, and through commitment sustains them. Like some ongoing conversation across the gallery, these faces of Bulgaria continue to speak.

It was amazing to explore the regenerating forests in SW Norway and to understand better how native forests can develop with a lower browsing pressure. Deer management practices differ between Norway and Scotland, with carcass weights used to determine deer quotas in Norway, indicating the overall health of the population and helping to balance its impacts on woodland regeneration. Cultural and social factors have influenced the woodland regeneration we saw, from the abandonment of farms over the 20th Century to the different attitudes to hunting, foraging and land-use in Norway. The diversity of species and structure in the Norwegian forest sets an example for us to aspire to in Scotland, and we need to consider how to integrate a rebounding forest within Scotland’s cultural and social setting.